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  • Mardi Gras 2025 Tips and Tricks

    Heading into the greatest free show on Earth on March 4, 2025, here are my updated tips and tricks for a safe and fun Carnival celebration this year.

    Everywhere Else it’s just Another Tuesday

    Mardi Gras Day 2018

    If you have different mobility needs or just would like a place to sit, buy grandstands tickets on St. Charles Avenue. Visit Mardi Gras Tickets to get your tickets to Mardi Gras. 

    If you’re looking for your sober pals, there is a sober tent on Napoleon Avenue. You can find more information about the organization who hosts it here.

    Download a parade tracker app. There are several options. Some track both the beginning and the end of the parades. They also include information about start times and which routes each parade takes. While the parades roll, it shows exactly where the it is on the route. It’s a valuable tool during the season to plan parking and travel routes. 

    Parking

    Speaking of parking, you can use the Park Mobile app to find street parking and availability. The app will say no availability if it is outside of the pay times. Parking is paid in two hour increments, but is free on Mardi Gras day or after 7 pm in most places.

    You will see signs on any parade route that say “No Parking Two Hours before and Two Hours after Parades.” This means parking is available most times, but not on parade days.

    Parking information from the City of New Orleans

    There will be public parking lots that charge by the hour or day available. Security will be different for this Mardi Gras, but there are always many road closures. My typical Mardi Gras parking experience is parking in a neighborhood and walking a long way to the French Quarter.

    For public transportation options, including buses and streetcars, please download the Le Pass app. You can plan routes and get updates on route closures and alternate routes because of parades.

    Throws You Need

    According to Arthur Hardy, our tradition of throwing gifts from floats began with the Twelfth Night Revelers, one of whom decided to dress as Santa and throw trinkets in 1871. These are some that you can’t miss.

    In 1959, the story goes, H. Alvin Sharpe walked into the office of Darwin S. Fenner, the captain of Rex, and threw a handful of his handmade aluminum coins in his face. He knew his doubloons would be a hit at Mardi Gras and he wanted to convince him they were safe with his display. He was an artist from Kentucky who had been in the Navy and settled in New Orleans. Fenner was convinced and the first 80,000 doubloons were produced the 1960 Mardi Gras a few months later. Sharpe was right. The doubloons are still a hit more than 60 years later. You can find some of those first doubloons for sale online for hundreds of dollars. But you can find modern ones thrown from nearly every parade float all season long.  

    Parade goers love the personally decorated shoes handed out by the Muses during their parade on the Thursday before Mardi Gras. Of course some outsource the labor, but many of the krewe members conceive and execute their own designs for the shoes, which are elaborately decorated actual women’s shoes recycled into art you will cherish forever. You are chosen to receive a shoe by a Muse during the parade. She personally hands it to you from the float. Many people create elaborate costumes and signs to increase the odds of being a chosen one. The ritual is a special Carnival experience with a permanent addition to your collection and a story you’ll never forget.

    According to a 2024 article on WDSU, the Zulu coconut tradition began in 1910 when Lloyd Lucas purchased a sack of coconuts in the French Market because they could not afford beads for throws. The tradition eventually evolved to elaborately decorated coconuts, but was stopped in 1987 because of lawsuits.

    In 1988 the so-called Coconut Bill exempted Carnival societies from “liability claims resulting from inadvertant coconut-caused injuries” allowing the krewes to shower the crowds with their precious throws without worry.  

    Must See Events

    In order to prevent people from climbing up the poles that hold up the balconies on Bourbon Street, so the story goes, they started greasing the poles. The Royal Sonesta has turned this chore into an event, inviting local celebrities to perform the greasing each year on the Friday before Mardi Gras.

    On Lundi Gras, or Fat Monday, the day before Mardi Gras, the courts of Zulu and Rex arrive at Spanish Plaza in a celebration, along with many other events and parades.

    The first event of Mardi Gras day is the sunrise wake up call by the North Side Skull and Bones Gang, reminding us that it is later than you think, as they have been doing for more than two centuries.

    St. Anne Society March began with the artists who created the floats for Rex in 1969. They decided to enjoy the fruits of their labor by walking to Canal Street. During the AIDS crisis, the tradition of putting the ashes of loved ones in the river formed and persists to this day. You will see a large group of elaborately costumed people walking together through the neighborhoods. Enjoy their creativity like any parade you may see!

    Secret societies are the backbone of Mardi Gras, and secret parades and a parties will pop up all throughout the weeks leading to Mardi Gras. Many of these exist in the form of walking troupes, calling back to the origins of Mardi Gras, with secret routes that you will only know about if you piece together clues or happen to live along the route to see it go by. This is definitely one of my favorite Mardi Gras traditions, and such a treat to discover or, if you’re lucky, participate in.

    Let me know your favorite Mardi Gras tips in the comments below. I hope to marvel at your costume out on the route!

    Lea Pearl

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  • Museum Review: The Southern Food and Beverage Museum

    The Southern Food and Beverage Museum on Oretha Castle Haley Boulevard is across the street from historic buildings and the New Orleans Jazz Market. It seems to be an anchor for a museum district in Central City. I visited on a quiet afternoon. The guide who helped me at the front desk was very informative.

    Uranium Glass in the Absinthe Museum, an exhibit in the Southern Food and Beverage Museum in New Orleans

    The exhibit starts with a section on Al Copeland and Popeye’s Chicken, who they credit with spreading the taste of Louisiana around the world. It then spills into the American Museum of the Cocktail and then the Absinthe Museum. The Absinthe Museum was a collection in a separate museum that closed in 2010. I spent most of my time soaking in the extensive collection of paraphernalia and in depth history. The hint about a former absinthe speakeasy in the French Quarter makes me want to run down another rabbit hole.

    Then there is an exhibit on coffee and its history in New Orleans. The exhibit included green coffee beans and a video demonstrating cafe brulot along with a history of chicory as a coffee additive. I loved learning New Orleans receives beans from 31 countries, accounting for 530,000 tons or 30% of all of the coffee that enters the United States.

    My favorite part of the museum was an exhibit dedicated to the women of the culinary history of New Orleans including contemporary legends like Susan Spicer and Leah Chase, as well as historical greats like Madame Begue and Rose Nicaud.

    Woven in between the major exhibits are the stories of the food of Southern states, with many brand names mentioned. The last exhibit is, of course, Louisiana with king cake, snoballs, poboys, and St. Joseph’s altars featured along with famous restaurant signs. But no gumbo, pralines, callas, or jambalaya.

    Overall, the museum is a wonderful look at the influential culinary history of the South with a particular focus on cocktails, New Orleans and Popeye’s Chicken. It was an interesting approach to associate the culinary history largely with brands, but I think that brands do define culinary history in a lot of ways.

    Lea Pearl

    • Architecture
    • Bulbancha
    • Cast Iron
    • Catholic New Orleans
    • Family History
    • French Quarter
    • Garden District
    • Gay New Orleans
    • Ghosts of New Orleans
    • Hurricanes
    • Italian/Sicilian New Orleans
    • Le Grippe
    • Museum
    • New Orleans
    • New Orleans Fires
    • New Orleans Voodoo
    • Notes from the Field
    • Royal Street
    • Storyville
    • United States
  • Bourbon Street Refections: On Terror and Joy

    Five days after the Bourbon Street Attack, I managed to make my way to the French Quarter. I had a mission to get some footage for a video I’m working on about Storyville. As I crossed Bourbon Street, the brass band nearby started playing “I’ll Fly Away.” Everyone’s mask melted a little. Everyone, just barely holding it together, a little closer to the breaking point. I saw and gave less bright smiles.

    In a January 6 article for the New Yorker, Paige Williams got to follow Frank Perez around for the day. Frank is my tour guiding mentor and a true culture bearer for the city. She captured this interaction:

    A drunken man wearing Mardi Gras beads greeted him with, “What’s up, family?” Perez didn’t know him. The guy said, “Let me tell you something. This motherfuckin’ scene that we went through? You don’t have to be Black, white, whatever. Love us. Am I correct?”

    “You’re absolutely right,” Perez told him.

    “I’m American, homie.”

    American. Not some strange foreigner with different culture and different values, but American. So many people keep questioning, why New Orleans? We’re just down here minding our business eating beignets and making a roux, swirling a Sazerac waiting for crawfish season. We’ve got no tall buildings in your way and no obnoxious billionaires spoiling the vibe. Why would anyone want to bother lil ole us?

    Is this why? New Orleans is that very American place that I’ve been trying to explain. We are American, homie. The embodiment of America from before America existed. The harbinger.

    The Most…American

    Eight days after the attack, I went to a talk in the French Quarter entitled, “The Royal Street Corridor: America’s Most Literary Neighborhood?” Question mark necessary as so many will scoff. Dr. TR Johnson, a professor at Tulane, thoroughly and beautifully explained that the 13 blocks of Royal Street in the French Quarter have been home to the people who produced the greatest American literature, a claim true of no other 13 blocks in the country.

    Many of them were not from New Orleans, but came here, let the city change them, and then changed the rest of the world with their writing. The big ones — Walt Whitman, William Faulkner, Tennessee Williams, Kate Chopin — did their most important work while in New Orleans or after their experience in the city, specifically the French Quarter.

    In the LGBTQIA+ History of New Orleans class I took with Frank, he shared the revelation that the beginning of Leaves of Grass can be found in the notes Walt wrote as he left the city in 1848. Dr. Johnson confirmed this in his lecture. He also explained that Faulkner, nearly a century later, was an ordinary Victorian poet until he came to New Orleans and started transforming into a Nobel Laureate. Tennessee Williams himself said that he wrote half of his best work in New Orleans. The Awakening by Kate Chopin is the fifth most assigned book by a woman in college literature classes.

    The most startling nugget he shared though was that Abraham Lincoln, the man who would sign the Emancipation Proclamation, spent time in New Orleans. He came down the Mississippi on a flatboat, like so many other young men, in 1828 and 1831. The site of open slave markets disgusted him and changed him. A truth that would eventually change America. The harbinger.

    Beloved Bourbon

    Unfortunately, insomnia meant that I knew about the attack almost instantly. I saw a post on social media from a dancer on Bourbon Street explaining their experience. It didn’t sink in.

    My partner woke up a few hours later, “Someone drove a truck through Bourbon Street!”

    “I saw,” I replied, still not quite grasping that it was a terrorist attack. I pulled up the live local news on YouTube, and spent the next 15 hours trying to parse the information they fed me. When they started detonating IEDs in the French Quarter, I started to understand. I drank whiskey from a dusty bottle on my bar. Bourbon.

    Many people will claim that locals do not go to Bourbon Street, but half the victims were locals celebrating a renewing year. I know how beloved Bourbon Street is, even to my own family. My parents met at Pat O’Brien’s, a tale as old as New Orleans itself. My father is one of those people who came here and never managed to leave. For the record, so was my grandfather. And my great-grandfather.

    Evolution

    Bourbon Street has evolved. My mom remembers a time when you dressed up to go to Bourbon Street. It was an elegant affair where husbands brought their wives to dinners and shows. Even before my mom, the French Opera House, seat of New Orleans society of the turn of the 20th century, was situated right in the middle of Bourbon until 1919. The area slipped into a slum around this time until the 1920s and 30s saw a revival of art and literature in the French Quarter. In the 1940s, admidst the literati revival scene, the first gay bar in the United States opened on Bourbon Street, Lafitte’s in Exile.

    In the 1960s, Jim Garrison became district attorney and made a name for himself in several ways. One of his imprints was his crack down on crime on Bourbon Street. One version of this tale appears in The Last Madam by Christine Wiltz. Another in Cityscapes of New Orleans by Richard Campanella. Seems that Garrison’s efforts to drive out crime drove out the underground businesses that sustained the classy drinking establishments people dressed up to go to. Once sex work and gambling were run out, the dollars they drew didn’t come. Turns out those were the true source of income for the classy bars, and soon dives and strip joints replaced them. My mom remembers when the swinging legs at Big Daddy’s were an actual woman. Drinking on the street instead of going into the sticky floored bars became the norm.

    During my childhood in the 1990s, Bourbon Street was sleazy, but still a tourist site. Every time family visited, we walked down Bourbon Street. As an adult, we still make a pilgrimage to Pat O’s for a drink and to thank the booze gods for my parents’ marriage. One of the first times I stayed in a hotel in the French Quarter was when I was about 17 years old. I came with a friend to a singing competition, and we stayed at the Astor Crowne Plaza on the corner of Bourbon and Canal.

    One night during college, we decided way too late to drive to New Orleans to go to Bourbon Street. Once we arrived, one of my friends realized they didn’t have their ID. We were barely even 21, so there was no hope of getting in any bars. We drove back to Baton Rouge while the sun rose. I moved to New Orleans in 2008, and the transformation to adult Disney land had begun. They took the swinging legs down that year, but you could still find bars on Bourbon playing porn on every tv screen.

    I have impasto smears of memories of Bourbon Street the night the Saints won the Super Bowl in 2010. My partner was there that night. He was new in my life and was the catalyst for our venture to Bourbon Street. “We have to go to the Quarter!” Everyone had the same idea. More people than any Mardi Gras I’ve experienced, a wall bricked with smiling faces and loud WHO DATs. The gravitational pull of the whole world latched onto Bourbon Street. So many bad things could have happened that night. But everyone was so deeply joyous that only someone intent on terrorizing…

    America, Mirrored

    I’ve taken a lot of friends to their first taste of Bourbon Street. I try to remember the wonder they experience as their senses are assaulted and beckoned simultaneously. Dr. Johnson ended his lecture about Royal Street with a thought about how New Orleans is the mirror the rest of the country uses to see who they are, an idea explored in A Hall of Mirrors by Robert Stone, an idea I’m still trying to understand. Another guest chimed in saying that while other places have become more homogenized in the age of the internet, New Orleans has maintained a unique identity that feels more like home even if you’re from a thousand miles away. Kind of how we can’t understand terror or joy until we’ve experienced the opposite.

    At points in history, New Orleans was the biggest city in the South, the largest slave market in the country, the largest community of free people of color before the Civil War. New Orleans is the home of Folgers coffee and Domino sugar along with jazz and gumbo. We get more rain than Seattle, send a lot of crab up to Maryland, and I’ve certainly heard far more stories about lovers meeting in New Orleans than Virginia. But New Orleans isn’t really known for any of these superlatives like other places.

    Thirteen days after the attack, I started a part time job in the French Quarter. I have never seen the French Quarter from one perspective. The French Quarter has always been frenetic, always in motion, hyperactive and slow simultaneously, no where to stop and no where to pee. As I approached the building contemplating this, the familiar echo of someone yelling at their demons filled the narrow street and a flicker of fear ran through me, the closest to terror I felt the whole day. I’ll be reading A Hall of Mirrors between shifts and reflecting on the remnants of the greats as I sink deeper into the swamp, with joy.

    Recent Essays about New Orleans

    Hirsch, Jordan. “What Bourbon Street Stands For: A week after this horrific attack, I can’t stop thinking of what America’s rowdiest street has taught me,” Slate.com, January 7, 2025. https://slate.com/business/2025/01/new-orleans-attack-why-bourbon-street.html

    Buckles, Jr. Edward. “Stop Telling New Orleans to be Resilient,” Time, January 7, 2025. https://time.com/7205139/stop-telling-new-orleans-to-be-resilient

    Williams, Paige. “Bourbon Street After the Terror: In the wake of the New Year’s attack, party-hard New Orleans staggers to its feet.” The New Yorker, January 6, 2025. https://www.newyorker.com/news/us-journal/in-new-orleans-the-party-goes-on

    Lea Pearl

    • Architecture
    • Bulbancha
    • Cast Iron
    • Catholic New Orleans
    • Family History
    • French Quarter
    • Garden District
    • Gay New Orleans
    • Ghosts of New Orleans
    • Hurricanes
    • Italian/Sicilian New Orleans
    • Le Grippe
    • Museum
    • New Orleans
    • New Orleans Fires
    • New Orleans Voodoo
    • Notes from the Field
    • Royal Street
    • Storyville
    • United States
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New Orleans Deep Tours

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lea@noladeeptours.com

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